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C/o Kancharapalem (2018) HDRip Telugu Full Movie Download
C/O Kancharapalem is a 2018 Telugu language slice of life anthology film written and directed by Venkatesh Maha. Produced by American filmmaker Praveen Paruchuri and distributed by Rana Daggubati under the banner of Suresh Productions.
Besides, this film has over 80 actors, most of them from Kancharapalem, the neighborhood where the film is set. The film received rave reviews from critics and critics alike. The film won the Best Critic Movie Award in Telugu at the 2019 Zee Cine Awards.
Details About the Movie C/o Kancharapalem Movierulz
Directed by: Venkatesh Maha
Produced by: Praveena Paruchuri, Rana Daggubati
Written by: Venkatesh Maha
Actors: Subba Rao, Radha Bessy, Kesava Karri, Nithya Sri Goru, Karthik Rathnam, Praneetha Patnaik, Mohan Bhagath, Praveena Paruchuri
Music by: Sweekar Agasthi
Cinematography: Varun Chaphekar, Aditya Javvadi
Edited by: Ravi Teja Girijala
Production company: Paruchuri Vijaya Praveena Arts
Release date: May 2018 (New York Indian Film Festival), 7 September 2018 (India)
Running time: 151 minutes
Countries: India, United States
Language: Telugu
Budget: 44–70 lakh
Box office: Crore 7
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Digital media leaks hit the filmmakers a lot. Crime is on the rise even further with the ever-increasing availability of the Internet, causing considerable harm to filmmakers and the entertainment industry as a whole. Governments and responsible authorities are doing their best, but it is insufficient, as there are hundreds of such websites on the Internet.
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More About C/O Kancharapalem Movierulz (2018)
C / O Kancharapalem is a very small budget film supported by Tollywood bigwigs Rana Daggubati and his father Suresh Babu. Pre-release, the film C/O Kancharapalem praises by heavyweights like SS Raja-Mouli, Sukumar and Keeravani. In addition, most of the cast is new and belongs to Kancharapalem in Visakhapatnam, where the story is set. The director, first-timer Venkatesh Maha, weaves four different strands in one story.
The first features are that the king, who is a government official attendant, is close to 50 and married, which is a matter of local joke. And also, the teenage girl’s mother Radha transferred to the king’s office as an officer from Odisha. The king attracts Radha who proposes honest marriage.
Sundaram, an 8th class student, is in love with his classmate Sunita. Her father objected when she sang her favorite song in ‘Maro Chatitra’.
Sundaram encourages her to sing at the Independence Day event at their school. Upon learning of this, her father sends her to Delhi. Geddam Babu fell in love with Salima who came to buy liquor while working in a liquor shop. He finds out she’s a prostitute, but still wants to marry her, and she dies in a mysterious death.
In the fourth story, Joseph falls in love with a Brahmin girl named Bhargavi, but her father does not accept marriage because of their religion.
Venkatesh Maha has joined the team of young and talented directors who have provided great charges for the last two years. While many chose debut romantic entertainers or a youth-busy subject, Venkatesh struck a different note.
C/o Kancharapalem (2018) Movie Review
It’s a noisy little suburb in a big city, a tight-knit community in times of need that supports each other, united by their love of art. Trains spend the day between two adjacent settlements, each having an opinion on just about everything around them; much about Kancharapalem is touchingly simple, ordinary, and most importantly, easily recognizable.
It’s rare for a movie to comment on religion, height, age, and love without ever stating the obvious, C / O Kancharapalem shows more than it says, and when you leave the movie, you want to grab a piece of the place.
A manager insists that an assistant sit next to her at lunch as a declaration of equality, of community suspicion of a man’s sexuality of remaining single at 49, the belief of one boy that his God was fundamental so that he knew the love of his wife. , these are the stories we hear.
Anthologies aren’t new to Telugu films, the most recent being Chandamama Kathalu and Vedam, but the fluidity in which its four subplots are enveloped is surprising, which is also the only quintessential twist in traditional cinematic terms. The film C/O Kancharapalem first apparent lesson is the filmmaker’s notion of generation, how losses change the structure of values.
The girl’s favorite song is Maro Charitra’s number “Bhale Bhale Magadivoy,” its lyrical clarity is not considered appropriate for the generation, the elders around her.
About Direction
The director inspired by real stories. There are no punchy dialogues in C/O Kancharapalem, the cast speaks as if they were real people with a local accent to boot. It is in a fun talking style and there is no special comedy track. Telugu audiences know the parallel stories that connect at the end in films like Manamam and Chandamama Kathalu. Venkatesh does a good job of putting the stories together. The film looks like cinematography is happening in your surroundings.
Cast
Maha recruited most of his cast, almost 80 actors from the town. Although no one in town seriously considered him filming, they showed great enthusiasm for acting. She also played a role in Maha Paruchuri when she landed from the US to visit the sets.
Subbarao is as magnificent as the king, and others play their part well in C/O Kancharapalem. If there is a complaint, Venkatesh loses the emotional part while packing kancharapalem with love, fun, and pain. Full marks to Venkatesh for not only coming up with a different kind of film. But also for successfully continuing the experiment of dropping among the locals for a film that speaks for themselves. Moreover have a look on geetha govindam telugu movie
C/o Kancharapalem (2018) Telugu Movie Scenes
Technical Category Performance:
The story C/O Kancharapalem focuses on four couples who have crossed age, religion, caste, and class barriers in a small town called Kancharapalem. And, It also shows how life and time can play an important role in the fate of four couples who violate social norms just for the sake of love.
Conclusion
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